Simon Kaiser is a dj, producer and party organisor based in Berlin.

The 22 year old, released two tracks end of 2016 and beginning of 2017 and is currently working on his EP, which should be released come late fall. He made his name playing in many different European Citys and Mexico and of course being one of the TRADE residents. His Sets are an eclectic mixture of many different genres and styles and he never tries to stick to the same formula.

His DJ sets range from Hip Hop to deconstructed club beats taking influences from dancehall, reggaeton and using pop music to glue everything together.

For Los Ninos he will prepare a hybrid set, starting as dj, ending in a live set.

Lotic, known as J’Kerian Morgan, has been fortifying her forceful sound and dominating the Berlin electronic music scene for nearly a decade. Born and raised in Houston, Texas, Lotic played alto saxophone in her high school marching band and in competitions with the University Interscholastic League before an education at the University of Texas at Austin, where she studied film and electronic music and hosted DJ sets for the college radio station.

In 2011, shortly before relocating to Germany, she released her debut EP More Than Friends, on Ben Aqua’s dance music label #FEELINGS. Following her move to Berlin in 2012, she released a series of well-received mixtapes.

In addition to producing music for the dance floor, Lotic also helped to create one: She co-founded the Janus Collective with fellow American expatriate promoters and producers, creating a monthly party that began in Berlin-Kreuzberg’s Chesters and quickly ascended to hosting Janus rosters at Berghain. Lotic established herself within Berlin’s nightlife for her capricious DJ sets, her sonic offering ranging from experimental creations rooted in her music theory training to remixed Top 40 that attracted avant-garde singer, songwriter, and DJ, Björk. Following a collaboration on two remixes for Björk’s Vulnicura album’s track “NotGet” and an invitation to open for her 2015 Berlin concert, Björk stated, “Lotic is one of the fiercest performer DJs I have ever heard” (MixMag, 2018).

Even in the midst of success and recognition, Lotic (meaning, “to inhabit rapidly moving water”) treaded against the currents of sudden homelessness, the end of a long-time love partnership, and a personal transformation. Through an empowering hiatus focused on rebuilding, she found her voice in her debut album Power (2018), which introduced her as a singer and songwriter for the first time. Power was praised for its polished production style in the tradition of Lotic’s past releases and rejuvenated by her narrative and reflections on race, sexuality, and gender. The release of Power inaugurated Endless Power, a live A/V show in collaboration with lighting designer Emmanuel Biard, featured at Berlin’s CTM Festival and Barcelona’s Sónar in 2018.

The same year, Lotic collaborated with fellow Houston-born dancer and choreographer Roderick George/kNoname Artist on Fleshless Beast, a music and dance performance in co-production with Berlin’s Sophiensaele and funded by the Berlin Senate Department of Culture and Europe. Lotic created the original score and performed in Fleshless Beast, a performance contemplating and deconstructing race relations, being an immigrant, and challenging the status quo. In 2019, Lotic collaborated in the performance piece Las Casas Invisibles with the KDV Dance Ensemble hosted by Berlin’s Funkhaus, once again lending her original music to the performance score.

She has a new, well appraised album, check the wonderful reviews on Crack Magazine, Loud and Quiet Magazine, Bandcamp, Resident Advisor, XS-noize, and being called Album of the Year by Hit The North.

Industrial cities, especially those in decay, tend to play host to a melting pot of electronic musicians. As so in the city of Aalst (Belgium), a former textile giant, where Thomas Blanckaert kickstarted a music escapade as Innershades a few years ago. In little time his tracks were picked up by prominent record labels such as Crème Organization, Pinkman and Hot Haus Records, many of which are now of cult notoriety.

Strongly influenced by the pioneers of Chicago & Detroit, Thomas created a sound of his own with dynamic productions ranging from raw house and techno workouts to melodic electro gems. A similar eclecticism can be found in his DJ sets which brim with enigmatic selections that will prick the ears of any avid identifier. Needless to say, with productions celebrated by tastemakers worldwide, Innershades is one of Belgium's most exciting new exports.

The Stress is the DJ alter ego of Diederick van den Ende. Starting out in 2011, The Stress hosted Sunday afternoon chillwave / electro-pop parties in his hometown Utrecht and started DJ’ing. While the nu-disco wave spread across Europe, The Stress played his first gigs in Amsterdam. It was here that he developed his taste for progressive disco, mixed with queer-, vogue-, house-, internet-, new beat-, and electro-influences.

The Stress is resident DJ for the Amsterdam based queer family UltraSexi and a regular for our parties.

Because of The Stress’ involvement in activism and academia, The Stress solely plays for queer, pride and intersecting causes worth supporting.

Videomaker raised on Tumblr. Works with Panteros666 as well as MTV International. His creations have been shown in New York and Los Angeles.

His universe with vibrant colors mixes 3D organic shapes with photography and romance.