Aki's passion for electronic music started by listening to 80's pop records from his older fellows. From 1995 to 1998, he played drums on various post-rock bands. Slowly though, he moved towards electronic music, which pushed him to buy two turntables. His dj'ing then rapdily evolved through waves of various electronic music styles such as dub, trip-hop and electronica but neatly tied together with some solid minimal-techno and house...

In 2005 Aki joins Toys For Boys Records meanwhile holding a residency at parties in Brussels.

In 2006 he decides to launch his own imprint alongside Franco Cangelli, they call the label Aesthetik Records. Since 2009 they started two new labels (Mowar/Nowar) with still that contemporary look on what is techno & house.

Scotland-born Parisian Paradise 100 aka Graham/Africa has been percolating stripped-back, bouncy-castle house constructs onto the web for a couple years but never locked them in wax till now. High time.

Paradise 100 has unveiled the first track off his debut EP The Loin King, which comes out October 1st on 100% Silk. Pitchfork premiered title track "The Loin King", describing it as a "six-minute house jam" that "sweetly unfolds into something...expansive and tart."

Following his minimalist dictum that "any more than three tracks on a song is just indulgence," his debut EP's four cuts on The Loin King share a sleek, spare design, jigsawing slinky bass, classic keys, lean drum programming, and flashes of synth mirage into fluid, aerodynamic patterns. Touches of melodic acid and crossover new wave color the mood an exotic, hedonistic hue (further evinced by titles like "The Loin King" and "French Kissing In The House Of Love"). His own vision of the project is appropriately fantastical: "The image in my mind is of tropical forests at night, torchlight, distant sounds of tribal ritual dance and ghosts."

Different Fountains is the acclaimed musical union of Bernardo Risquez and Michael Langeder. Their output is notoriously hard to pin down as they fuse elements of pop, club and avant garde music into an accessible amalgam that never shies away from reaching out to the cosmos. Different Fountains stands for gentle agitation, portraying an imaginary future where cultural categories are forgotten and have resolved into an open conglomerate.

Despite having such a laid-back and organic sound more informed by musical beauty than muscular groove, Suzanne Kraft has been one of the most prominent stars of the last few of years. Born Diego Herrera and raised in Los Angeles, the humidity and sun of that state looms large over his DJ and studio output.

Formally trained on saxophone, guitar, bass and keys but hypnotised by the one-man-band possibilities of producing on a computer, Herrera’s work has been at the heart of a blissed out and slow motion revolution that has brought real beauty to the dance floor.

It comes in both LP and EP format on labels like Running Back, Melody as Truth and Animals Dancing, and effortlessly ranges from absorbing ambient to deep house via colourful disco. As a DJ, he tells equally compelling tales.

Melody always colours what Herrera does, and for that reason his sounds tread a fine line between proper listening music as well as stuff that works in a club. What’s more, his knack for roomy grooves and spacious sounds separates him from the crowd and means that whether he is making music for sleeping or music for dancing, there is always a common and coherent thread running through it.

Aside from all this, Herrera can also jam in the live arena and has done with the likes of Johnny Nash, had a long running and musically widescreen show on dublab - the not for profit radio station where he was creative director for years - and is starting his own label, P&D Records, with best mate and dublab host P Relief. Though he himself is never in a rush to go anywhere, then, the music of Suzanne Kraft always manages to transport you to somewhere else entirely.

Like many kids in late 80s/early 90s Belgium, AAGUILAA was captivated by the swirling innovation of EBM and New Beat. But only after experiencing the full-body feeling of italo disco and hi-NRG played over a proper soundsystem he matured his lifetime love for neon lights and for the darker, synthesized side of dance music.

He is resident and programmer at Los Niños but also known as the founder of FFORMATT, our temporary cultural space in the heart of Brussels, now closed.

You can listen to his vinyl & quality music selection on radio stations as Kiosk Radio, Red Light Radio, The Lot, We Are Various, East Side etc.

Playing in bars and basements, from private parties to events in metro stations, including Lisbon, Berlin, Paris, Milan, Vienna etc.