Like many kids in late 80s/early 90s Belgium, AAGUILAA was captivated by the swirling innovation of EBM and New Beat. But only after experiencing the full-body feeling of italo disco and hi-NRG played over a proper soundsystem he matured his lifetime love for neon lights and for the darker, synthesized side of dance music.

He is resident and programmer at Los Niños but also known as the founder of FFORMATT, our temporary cultural space in the heart of Brussels, now closed.

You can listen to his vinyl & quality music selection on radio stations as Kiosk Radio, Red Light Radio, The Lot, We Are Various, East Side etc.

Playing in bars and basements, from private parties to events in metro stations, including Lisbon, Berlin, Paris, Milan, Vienna etc.

Kinky Afro is a brand new music project by two Italian Disc Jockeys, paying a musical homage to late 70's, rare groove, the golden age of Disco together with Italo Disco and Hi NRG as a passionate extra.

The couple plays also an Electro/Crossover DJ sideproject which has been appearing throughout Europe and Italy of course, but when it comes to Kinky Afro they are for low key, this typical old school attitude helps explaining why this international couple of DJ's prefers not to reveal identities. Does it mean they should be struggling for visibility now? Who cares.

Nonetheless, they want to target a difference audience, being far from those shortlived wonders, blatantly transient as only some clear sunny hours in Ireland can be.

Kinky Afro Disc Jockeys will probably show you the obvious, that is the Chic got one of the most impressive rhythm bars on Earth, there is more to Disco Music than the embarassing Village People and the Bee Gees, the Soul music gave lineguides over the best output in late 70's, the Incredible Bongo Band had virtually written what Stone Roses later called Fool's Gold, the Kraftwek influenced almost all of what you've heard electronic in the 80's and Italo Disco is nothing to do with Sabrina Salerno or some new wave guitars over echoing voices and woeful machine drums.

Should we mention who nowadays could beat Grace Jones' impossible charisma?

Jean Biche is a performance artist, graphic artist and musician who creates a unique theatrical universe of baroque and often disturbing images which challenge the viewer with unresolved questions of personal boundary and the significance of ritual.

His work specifically unseats rote notions of sacrifice, heartbreak and gender by combining pop references, legend and nostalgia in subversive an unexpected combinations, a process which has been said to resemble a medieval exorcism in its erasure of comfortable presumption and unforgettable enigmatic tableaux.

Jean Biche earned his Masters degree in Illustration at La Cambre in 2001, and takes inspiration in his work from such outsider artists as Leigh Bowery or Felix Gonzales-Torres.

Jean Biche has collaborated with Yves-Noël Genod, An Pierlé, Damien Jalet, Pierre Droulers, Laetitia Bica, Mademoiselle Jean, Dominique Thirion, and many more.

Bobby has made collages from the FingerSpitzenGefuhl parties in Brussels and Antwerp

The artist Hasan Huseyin Oylum interprets the hand logo of Finger onto paper using silk screen techniques. On November 14 one of them was presented and put on sale at Café Capital.

BIO

Hasan Huseyin Oylum arrived in Bruxelles 2005 with an ambition to study art at Sint Lukas. During this first year he was selected amongst 8 students from the first year students to participate in a two week project at Masereel Centrum for Graphics Arts Residential, where he concentrated on self portraiture, using silk screen technique and other media.

Currently he is in an internship since the spring of 2008 with Jean Paul Lespangard, a belgian fashion designer. Starting in the fall of 2008 he begins another internship with Dinie van den Heuvel, a professor of pattern making and moulage at La Cambre Mode(s).

Some of his works - silkscreen on paper and acrylic on recycled paper: